Beloved Canadian Turtle Turned into Political Commentary Through Copyright Infringement
By Amarra Bumactao, Arts Law Volunteer It’s the holiday season and in this time of...
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South Korea – A Model for AI Regulation?
By Ryan J Leck Earlier this year in January 2025, South Korea published the Framework Act...
Underexposure: Shining a Light on Implied Terms in Your Contract
RP Data Pty Limited v Hardingham [2022] HCA 39; REA Pty Limited v Hardingham [2022]...
Reflections from our visit to Bula’bula Arts Centre
By Cree Oliveira, Outreach Secondee, KWM It was an incredible highlight to travel out to...
Artists and Generative AI: Copyright and the Private Regulation of Creativity
Arts Law is honoured to be part of an arts-legal research team looking into the...
First treaty with First Peoples in Australia
By Adam Flynn, Arts Law Principal Lawyer – Sydney Until now, Australia has not had...
Australian government unveils new AI Plan
After the Australian government’s recent statement that protecting creative industries from AI risks would be...
Please Sir, May I Reproduce It?
This Christmas, spare a thought for orphaned works. Even Santa cannot work out who owns...
Moral rights and Films: “Never get Busted!”
By Cat Cook, Pro Bono Solicitor Arts Law McCallum v Projector Films Pty Ltd [2025] FCA...
Breaking News: Nazi Looted Painting Returned To Rightful Heirs
By Megan Schwartz The painting is Giuseppe Ghislandi’s (1655-1743) Portrait of a Lady, depicting Contessa Colleoni...
Treaty Victoria
By Ruby Okely Yesterday, Victoria made history by tabling a treaty bill, becoming the first...
AI is not your friend or your lawyer
By Chloe Hilary, lawyer AI has seemingly become an inevitable part of life. We’ve written...
