Arts Law Information Sheet

Copyright

Copyright is an important asset of creators that gives them legal rights and opportunities to generate income irrespective of the ownership of their physical creation, and irrespective even whether that creation still exists. This information sheet provides basic information on copyright, including dealing with copyright.

In this information sheet:

  1. Introduction
  2. What is copyright?
  3. What does copyright protect?
    1. Object of protection
    2. Requirement for protection
  4. Ownership of copyright
    1. General principle
    2. Exceptions
    3. Contracts affecting ownership
    4. Joint authorship
    5. Works or other subject-matters containing copyright material by third parties
    6. Copyright in translated works
  5. Duration of copyright
  6. Rights of a copyright owner
    1. Use of copyright material
  7. Dealing with copyright
    1. Common terms of licence
    2. Nature of the licence
    3. Form of licence
    4. Implied licences
  8. Copyright infringement
    1. General rule
    2. Exceptions
    3. Remedies
  9. Further information

Introduction 

Copyright is an important asset of creators that gives them legal rights and opportunities to generate income irrespective of the ownership of their physical creation and irrespective even whether that creation still exists. This information sheet provides basic information on copyright, including dealing with copyright.

What is copyright? 

Copyright is a bundle of economic rights which give their owner the exclusive right to do certain things in relation to the object it protects.

Copyright protection is automatic upon creation of the work. There is no need to register a work in some official register. The symbol © is used for notification purposes, to put people on notice that the work is protected by copyright, but is not required for the protection to exist.

What does copyright protect? 

Object of protection 

Copyright only protects specific things or "subject-matters" mentioned in the Copyright Act 1968 (Cth). Copyright protects "works", being:

  • literary works;
  • dramatic works;
  • musical works; and
  • artistic works including works of artistic craftsmanship.

Copyright also protects "subject-matter other than works", being:

  • films;
  • sound recordings;
  • broadcasts; and
  • published editions.

The Copyright Act defines only some of the above categories, for example "artistic works", "dramatic works" and "broadcast". If a creation of the mind does not fall into any category of works or subject-matters other than works, copyright does not apply.

Requirement for protection 

In order to attract copyright protection, a subject-matter must satisfy the following conditions:

1.    The subject-matter must be expressed in a material form: Copyright does not protect information, ideas, concepts, styles and methods. It only protects the expression of ideas in any of the categories mentioned above. As a result, copyright arises when an idea, concept or information is written down, expressed visually, filmed, recorded or stored on the hard drive (eg. computer, USB stick, etc). What is important is that the information or idea has been put down in some kind of data.

Therefore, a creator cannot rely on copyright law if someone stole his/her idea if it had not yet been expressed in a material form. Other areas of the law might provide protection, such as the law of confidential information or contracts. For more information, see Arts Law's information sheet on Protecting your ideas.

2.    The work must be original:The work does not have to be innovative or artistic to be original but must be attributable to the author’s skill and labour, and not copied. This requirement does not apply for subject matters other than works.

Ownership of copyright 

General principle 

Generally, the author of a literary, dramatic, musical or artistic work owns copyright in the work.

The maker owns copyright in a sound recording, a film, a television or sound broadcast.

  • Maker of a sound recording: person who owns the medium which embodies the recording. For example, the record company is often the owner of a sound recording. If the sound recording is made from a live performance, each performer is also considered to be a maker of the sound recording, and therefore also owns copyright in the same, unless the performer is an employed musician or singer.
  • Maker of a film: person who makes the arrangements to make the film, usually the producer.
  • Makers of broadcasts: those who provide the broadcasting service.

The publisher owns copyright in the published edition of a work.

Exceptions 

There are several exceptions to the general principle stating that the author of a work or the maker of a subject-matter other than work owns copyright:

·         Contract:The author or maker has entered into a contract under which copyright is assigned, i.e. transferred to another party. In order for an assignment of copyright to be effective, it must be in writing and signed by the copyright owner.

·         Employment: The author of a literary, dramatic, artistic or musical work has created the work "in pursuance of the terms of his or her employment by another person under a contract of service". In that situation, the employer owns copyright in the work created in the course and within the scope of the employment.

Employees of a newspaper, magazine or periodical proprietor such as journalists and photographers are in a slightly different situation than employees generally. Instead of the employer solely owning copyright in the material their employed journalists or photographers create for their newspaper, magazine or periodical, copyright in such materials is divided between employer and employee: the author of the work retains copyright for book publication and photocopying purposes, and the newspaper, magazine or periodical proprietor owns copyright for all other purposes (see below, Rights of a copyright owner).

If the author is a contractor (or freelancer), or a volunteer, the exception does not apply. In order to determine who owns or will own copyright in a given situation, it is therefore necessary to ascertain the author’s status. For more information on the distinction between employee and contractor, see Arts Law's information sheet on Employment Issues for NSW Employees.

People or organisations who use volunteers should, if necessary, secure ownership of copyright in any material the volunteers create while carrying out their activities by obtaining a written assignment of any copyright.

·         Some commissioned works: If someone is paid to take or make a photograph, portrait or engraving for the private or domestic purposes of the person paying (the "commissioner"), for example wedding photographs, the commissioner owns copyright in the work even though the artist or photographer is not an employee.

The commissioner owns copyright in a film or a sound recording made against remuneration

·         Crown rights: The Commonwealth or a State owns copyright in any subject-matter of copyright created by, or under the direction or control of the Commonwealth or the State.

Contracts affecting ownership 

The general principle as well as the exceptions can be modified by agreement. It is good practice to have written agreements with all the contributors involved in your publication project to ensure copyright ownership is clearly determined.

Joint authorship 

Two or more people can own copyright jointly if they are joint authors of copyright material. People are joint authors if their contribution to the work is inseparable from the contribution of any other author. This depends on the extent of each author’s contribution to the creation of the work and the amount of skill and labour each contributes.

Two or more people can also own copyright jointly in some material if they have entered into an agreement to that effect, regardless of their contribution to the creation of the copyright material.

If authors jointly own copyright, each owner must get the consent of the other(s) before exercising copyright rights (eg. allowing someone else to use your jointly owned material).

Works or other subject-matters containing copyright material by third parties 

Situations of joint authorship must be distinguished from situations where individual copyright exists in various subject-matters forming the work. Copyright material often contains material by third parties which is itself protected by copyright. For example, with the permission of the copyright owner of the relevant material (see below, Use of copyright material), you quote a poem in your novel, or reproduce a painting as an illustration in your brochure. Ownership of copyright in the newly created work, the novel or brochure, does not affect ownership in the original material reproduced.

This situation arises regularly in relation to films. The script of the film, protected as a literary or dramatic work, might be based on a pre-existing novel, itself copyright protected by copyright as a literary work. Similarly, the film might include musical works, and reproduce artistic works. The fact that the filmmaker owns copyright in the film does not mean that he owns the separate copyright in the script, in the underlying novel or in any music. For more information, see below Film projects.

Copyright in translated works 

A translation is protected independently by copyright as an original literary work, which co-exists with copyright in the original work. As a result, you need permission from the copyright owner of the initial (underlying) work not only to translate it (which means exercising the exclusive right to adapt the work; see below Rights of a copyright owner) but also to exercise any of the other rights of a copyright owner, such as reproducing or publishing the work.

If you want to use an existing translation, you need permission from both the owner of copyright in the underlying work and in the translation.

Duration of copyright 

Copyright lasts for 70 years after the death of the author of the work. In the case of subject-matters other than works, copyright lasts for:

·         70 years from the year of first publication of a sound recording or film;

·         50 years from the year a television or sound broadcast was made; and

·         25 years from the year of first publication of a published edition of a work.

Copyright lapses after the relevant time and the work is in the "public domain". This means that anyone can use it.

For further information about duration please see the Australian Copyright Council information sheet "Duration of Copyright".

Rights of a copyright owner 

Use of copyright material 

Copyright owners have exclusive rights in relation to the use of their copyright material. As a copyright owner you can do certain things with your work, let someone else do these things as well as stop someone from doing them.

Copyright owners have the exclusive right to:

  • reproduce or copy their work;
  • communicate their work to the public (make available online or transmit electronically, for example by broadcasting, by email or on the internet);
  • first publish their work;
  • perform their work; and
  • adapt their work.

The table below indicates the exclusive rights of a copyright owner in relation to the different categories of copyright material:

Dealing with copyright 

There are two main ways of dealing with copyright: assigning or licensing.

By assigning your copyright, you transfer it to a third party which then owns it with all the rights deriving from copyright ownership. In order to be valid, an assignment of copyright must be in writing and signed by the person assigning copyright.

By licensing your copyright, you allow someone else to exercise some or all of the exclusive rights of a copyright owner. Without a licence, the use of your copyright material by a third party is illegal.

Common terms of licence 

If you licence copyright material, it is important to determine:

·         the permitted uses

Which rights of a copyright owner can the licensee exercise? The parties (copyright owner or licensor and licensee) should consider which rights have to be exercised for a specific purpose. For example, you might agree with another organisation to license the right to reproduce and publish an information booklet in hard copy, but retain the right to communicate the information in the booklet via your website only;

·         the territory

In which area (such as State, country, region of the world) can the licence be exercised? If you have a publication which contains information relating to the laws of NSW, you might agree to use by other similar organisations in NSW but not to those in other States;

·         the term of the licence

For how long is the licence valid? It can be for the duration of copyright but also for a much shorter period;

·         any sub-licensing right

Does the licensee have the right to allow others to use the material in the manner contemplated by the licence? In some circumstances, it is necessary to have the right to sublicense, for example where a publisher sends the text to a printer for reproduction;

·         the nature of the licence

Is the licence exclusive, sole or non-exclusive (see below, Nature of the licence)?

·         any payment by the licensee

The copyright owner can ask for money for the use of his copyright material. Payment can be in the form of a flat fee, a periodic fee or on a royalty basis, or a combination of all of those depending on the nature of the transaction.

Nature of the licence 

There are three main types of licence:

  • Exclusive licence

The copyright owner authorises the licensee to exercise an exclusive right of the copyright owner in relation to copyright material to the exclusion of anyone else, including the copyright owner. In order to be valid, the exclusive licence must be in writing and signed by the copyright owner;

  • Sole licence

The copyright owner authorises the licensee to exercise an exclusive right of the copyright owner in relation to copyright material to the exclusion of anyone else except the copyright owner; and

  • Non-exclusive licence

The copyright owner authorises the licensee to exercise an exclusive right of the copyright owner in relation to copyright material and remains free to exercise that right as well as authorise others to do so.

Form of licence 

Unless you are entering into an exclusive licence (which must be in writing and signed by the copyright owner granting the licence), there is no requirement to enter into a licence in writing. Like most contracts, a licence can be verbal, implied, result from the parties’ conduct or be in writing.

It is advisable to enter into a written licence to ensure that all the important aspects of the licence are covered, for further reference and for ease of evidence if there is a dispute about the licence.

Implied licences 

In some circumstances, a licence to use copyright material is implied even in the absence of any contract. For example, if you commission someone to create, for reward, a work for a specific purpose, such as an illustration for a book, you have the right to use the illustration in the manner and for the purpose agreed at the time of the commission.

Read Northern Editions case study.

Copyright infringement 

General rule 

The use of another’s copyright material without the copyright owner’s consent amounts to a copyright infringement if:

  • there is an unauthorised use of a substantial part of the work; and
  • an exception permitting the use does not apply.

"Substantial part" means a vital or important part of the copyright material, based on the quality rather than the quantity of copyright material used. It is assessed by reference to the copyright material allegedly used, not the new work.

Exceptions 

The use of a substantial part of another’s copyright material without the copyright owner’s consent is allowed in limited situations such as:

  • fair dealing purposes. Fair dealing purposes include research or study, criticism or review, parody or satire as well as reporting the news;
  • incidental use in film and television broadcast; and
  • certain uses of artwork (eg. sculptures that are permanently in place in a public space).

Remedies 

If you think someone has infringed your copyright, you should contact them, possibly by sending a letter of demand. For more information, see Arts Law's information sheet on Copyright infringement and letter of demand.

If a court agrees that your copyright has been infringed, you can get an order from a court that:

  • the person must stop the infringement (an injunction); and
  • you are paid money for the use of your work (damages or account of profits);

If the person wants to continue using your copyright material, you can grant a licence under terms you should agree mutually.

Further information 

You can find additional information about copyright on the websites of the following organisations:

Other Arts Law publications on copyright issues include:

Related

Need more help?

If you have questions about any of the topics discussed above please contact Arts Law.

Disclaimer

The information in this information sheet is general. It does not constitute, and should be not relied on as, legal advice. The Arts Law Centre of Australia (Arts Law) recommends seeking advice from a qualified lawyer on the legal issues affecting you before acting on any legal matter.

While Arts Law tries to ensure that the content of this information sheet is accurate, adequate or complete, it does not represent or warrant its accuracy, adequacy or completeness. Arts Law is not responsible for any loss suffered as a result of or in relation to the use of this information sheet. To the extent permitted by law, Arts Law excludes any liability, including any liability for negligence, for any loss, including indirect or consequential damages arising from or in relation to the use of this information sheet.

© Arts Law Centre of Australia

You may photocopy this information sheet for a non-profit purpose, provided you copy all of it, and you do not alter it in any way. Check you have the most recent version by contacting us on (02) 9356 2566 or tollfree outside Sydney on 1800 221 457.

The Arts Law Centre of Australia has been assisted by the Commonwealth Government through the Australia Council, its arts funding and advisory body.

Australian Government - Australia Council for the Arts

Warning: Aboriginal and Torres Strait Islander people are warned that this web site may contain images of deceased people.