AI Can’t Be an Author: US Copyright Law Says Human Touch Still Required
By Ashna Govil (our correspondent in the United States!) Imagine submitting an artwork for copyright...
Posts
The problem with AI generated images
By Ruby Okely The National Indigenous Times recently reported that Adobe has come under scrutiny for hosting...
International Boost for Australia’s Resale Royalty Scheme
With thanks to Arts Law volunteer and University of Sydney law student, Ryan J Leck...
Supporting Emerging Artists: Arts Law at National Art School Orientation Day
At the end of February, Arts Law was thrilled to attend the National Art School...
Thank you to our DRS lawyers, March-April 2025
Arts Law would like to extend a huge thank you to all the following lawyers,...
Book Review: Colin Golvan’s Protecting Indigenous Art: From T-shirts to the Flag
Book review by Cassia Glynn Bray, Arts Law AITB Paralegal and Jess Im, Arts Law Paralegal and UTS...
Is Microsoft using your drafts to train its AI?
There has been some chat on the web that Microsoft is scraping your drafts to...
UK, AI and copyright law
Arts Law is tracking developments about generative AI around the world, noting those most recently...
First ratification of WIPO Intellectual Property, Genetic Resources and Associated Traditional Knowledge Treaty
The World Intellectual Property Organization (WIPO) recently reported that Malawi has ratified the WIPO Treaty on...
Taking it too far: when parody becomes problematic
By Alex Ho, secondee lawyer (McCullough Robertson) The UK case of Samherji HF v Oddur Fridriksson [2024]...
Patently unequal: race inequality and IP, a critical analysis
By Jess Im, Paralegal, Arts Law (IP student, Law Faculty, UTS) Copyright, patent, and trademark...
Oh Come All Ye Faithful copyright enthusiasts
Speaking of tunes that feature during the festive season, Oh Come All Ye Faithful is one that surely...
