David Beaumont Case Study – Do I need permission to use this old photo in my work?
David Beaumont is a Melbourne based visual artist whose works are held in private collections...
Case Studies
Yiwarra Kuju: the Canning Stock Route
In late 2006, the Perth-based non-profit cultural organisation FORM initiated Ngurra Kuju Walyja – One...
Sarrita King and Resale Royalty Rights
Sarrita King is a contemporary Indigenous artist registered for the resale royalty scheme. The resale...
Best practice advice benefits the Little Big Shots International Film Festival and its participants
Since the first Festival in 2005, Little Big Shots has become an iconic annual event....
Mondo Rondo Jewellery licenses Indigenous artworks
Mondo Rondo Jewellery designs and produces Australian jewellery for both the local and international market....
Prisoners have copyright and moral rights too
Whilst in prison PV had participated in a rehabilitation program and had created a painting...
Lawrence Omeenyo licenses his image for Arts Law’s Christmas card
Artist Lawrence Omeenyo is a painter, sculptor and elder of the Lockhart River Community. He...
Boomalli Aboriginal Artists Co-operative Ltd and Governance issues
Boomalli Aboriginal Artists Co-operative Ltd approached Artists in the Black (AITB) for assistance with governance...
Christine Tschuna – What to do if you don’t get paid – letters of demand
Christine Tschuna is an Wirangu artist with the Ceduna Arts and Cultural Centre. In June...
Tjanpi Desert Weavers and works on consignment
The Tjanpi Desert Weavers are Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara women from eighteen desert communities who...
Ninuku Arts – Selling works on consignment: chasing payment and negotiating a settlement
Ninuku Arts entered into a consignment agreement with an Adelaide gallery for the sale of...
Wandjina – Protecting Cultural Heritage through council planning laws
In 2010, a gallery in the Blue Mountains in NSW erected a large sculpture featuring...
